Spins35
Stations1
Best position—
Weeks in chart1

Chart trend

  1. 09-28 —

Chart trend

Airplay music geography

The track across stations

The order of first verified broadcasts on MintBear stations. It does not mean that stations influenced one another.

First seen by MintBear: 23.06.2026 is not the release date. Available verified history starts 2026-06-23; data through 2026-10-10.

In recent rotation

At least two plays on separate days in the last 14 days, including one in the last seven; only stations with at least 10 verified days count.

  1. DFM Daft Punk In recent rotation 505 verified plays · last 10.10.2026

Station breakdown

Transparent methodologyWhat this chart measures

A spin is an eligible, deduplicated provider metadata event. It is not a listener, audience estimate, royalty statement, or official industry chart.

Method
weekly-airplay-v9-90pct-source-coverage
Timezone
Europe/Moscow
Coverage
183 / 183
Checksum
11499f8e1a66

Audio signal analysis

Track DSP profile

The indicators are calculated from an available short preview and describe the signal, not the listener or the artistic intent.

Tempo 107.7 BPM Estimated pulse rate; half-time or double-time interpretation is possible.

Energy

38%
Medium

Signal loudness and change activity.

Danceability

55%
Medium

Tempo and transient density associated with a steady rhythmic pulse.

More signal measures

Calmness

70%
High

Lower energy and fewer abrupt attacks.

Focus

70%
High

A calmer, more stable signal with less rhythmic dominance.

Valence

55%
Medium

A provisional estimate of emotional brightness or positivity.

Nostalgia

18%
Low

A provisional baseline, not recognition of a recording era.

Intensity

30%
Low

Combined energy, spectral brightness and dynamic compression.

Analysed fragment 29.9 s Only the available preview fragment was analysed; audio is not stored.
Technical confidence 80% Confidence in the fragment analysis, not the probability that a mood label is correct.

Valence and nostalgia are conservative baseline estimates in the current model; they are not direct recognition of emotion, genre or release era.

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